But the more credits you buy, the lower the cost. If you want to use Panorama X for just one month, fine: buy one credit, one time, for $15 - no strings attached. To oversimplify slightly, think of a credit as permission to run Panorama X on one Mac for a month. It works like this: You have to set up an account and purchase one or more credits to use Panorama X. So Jim Rea has come up with a new way of doing subscriptions that I haven’t seen before. ProVUE knows that customers have a love-hate (but mostly hate) relationship with subscriptions, but at the same time, the company needs dependable, recurring revenue. Right? Of course that’s what you’re thinking. I know what you’re thinking: Oh No, Not Another Subscription App. Pricing - Panorama X uses an entirely new approach to licensing and pricing. There’s also Panorama X which is worth a look how Panorama X’s pricing works: There is this age-old, insane expensive behemoth FileMaker, and then there are very young contenders that have a strong tendency to disappear after a few years. Only that relational databases are rare creatures in the Mac world. In fact, we’re using a Ninox database for our privat art (only some three hundred pieces), but there are of course other options like Filemaker. Or all displayed in the “Rockefeller Gallery” of your museum. In a relational database, you could easily get a view of all artworks by a certain artist. That’s error prone (think typos) and redundant: If you have pieces by a living artist and this person dies, you’d have to add their date of death to all their artworks. In DT, you’d have to replicate this information for every piece of art by the same author ( At least that’s my impression. That way, you have each artist only once with all relevant information, and each of their artworks simply refers to them.
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